Michael William Balfe (1808–1870) was an Irish composer, best remembered for his operas. Balfe was born in Dublin and grew up on Pitt Street, which was renamed Balfe Street in 1917 in his honour. After moving to Wexford with his family as a child, he began a career as a violinist, moving to London in 1823 after his father's death, later relocating again to Italy and Switzerland, where he married the Hungarian-born singer Lina Roser. Balfe began pursuing an operatic singing career as well as composition, and moved back to London with his family in 1835. In a career spanning more than 40 years, he composed at least 29 operas, almost 250 songs, several cantatas, and other works. He was also a noted conductor, directing Italian opera at Her Majesty's Italian Opera House for seven years, among other conducting posts. His most notable opera is The Bohemian Girl, which continues to be performed. This photograph of Balfe was taken by the studio of the French photographer Nadar; this albumen print was made in 1900.Photograph credit: Nadar; restored by Adam Cuerden
... that the Waterloo Column(pictured), which commemorates Germans who died at the Battle of Waterloo, incorporates the barrels of eight cannons that were captured there?
... that one critic described some of the melodies in Life Till Bones as akin to "trying to dig a hole in a bowl full of sugar"?
... that Goro Takahashi, a silversmith adopted by a Lakota family, was the first Japanese person allowed to attend a Sun Dance?
... that a Rhode Island TV station started out by re-running an inventory of 50 hours of cartoons and 14 old movies?
... that the 1923 film Zhang Xinsheng featured close-up views of internal organs?
... that an inscription from 243 AD for a leader of the marzēaḥ ends with blessings for his sons, the scribe, the person in charge of the cooking, the cupbearer, and other assistants?
... that Ripken wore a GoPro on his back while retrieving used bats and tees at major sporting events?
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It is so terribly sad that I have to explain that the above is a JOKE
If you can keep your head when all about you
Are losing theirs and blaming it on you,
If you can trust yourself when all men doubt you
But make allowance for their doubting too,
If you can wait and not be tired by waiting,
Or being lied about, don't deal in lies,
Or being hated, don't give way to hating,
And yet don't look too good, nor talk too wise:
If you can dream--and not make dreams your master,
If you can think--and not make thoughts your aim;
If you can meet with Triumph and Disaster
And treat those two impostors just the same;
If you can bear to hear the truth you've spoken
Twisted by knaves to make a trap for fools,
Or watch the things you gave your life to, broken,
And stoop and build 'em up with worn-out tools:
If you can make one heap of all your winnings
And risk it all on one turn of pitch-and-toss,
And lose, and start again at your beginnings
And never breath a word about your loss;
If you can force your heart and nerve and sinew
To serve your turn long after they are gone,
And so hold on when there is nothing in you
Except the Will which says to them: "Hold on!"
If you can talk with crowds and keep your virtue,
Or walk with kings--nor lose the common touch,
If neither foes nor loving friends can hurt you;
If all men count with you, but none too much,
If you can fill the unforgiving minute
With sixty seconds' worth of distance run,
Yours is the Earth and everything that's in it,
And--which is more--you'll be a Man, my son!
For unique design and interesting content, I present you with this Excellent User Page Award. –Frater5(talk/con) 16:12, 29 May 2006 (UTC)
